![]() “We did some great stuff,” insisted Waters. Zabriskie Point was the next stage on Floyd’s varied musical journey, but the band quickly discovered that Antonioni was an impossible taskmaster. The piece was fashioned out of found sounds, with its composer ranting in a Scottish accent. I think I first latched onto it - like many, I guessing - as a result of its connection with William Friedkin's "The Excorcist" (though its appearance in the occult classic is incredibly brief, serenading Elen Burstyn as she wanders through Georgetown on Halloween) and was sucked in by its signature melody.Pink Floyd in 1971 (Image credit: Koh Hasebe/Shinko Music/Getty Images)įloyd’s next release, 1969’s double album Ummagumma, included Roger Waters’ musique concrète experiment, Several Species Of Small Furry Animals Gathered Together In a Cave And Grooving With A Pict. Oldfield's classic, by contrast, could be the most UN-Punk Rock album ever (actually, I cited Yes' Fragile of this very title a while back) given its artistic ambitions and attention to crystaline perfection (Oldfield has since lamented the inclusion of one or two wrong notes struck during the proceedings of the album, which I doubt I'd ever be able to pick out). Appended with the more conventional tracks ("Fat Old Sun", "Summer `68"), it has the edge on Oldfield for accessibility, but the sprawling, side-filling title instrumental remains as equally ambitious.if a bit flawed (particularly the very-early-70's vocal freak out bit). There was a brief albeit misguided point in my life where I truly believed that Pink Floyd were incapable of making a bad album, resulting in my furious championing of the bovine-adorned opus that is Atom Heart Mother. Obviously, Oldfield's is the more celebrated of these particular two (most folks might sooner pit Bells against, say, Dark Side or Wish You Were Here), but I find these albums technically the most simillar, so take yer pick. ![]()
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